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Friday, 03 February 2012 00:00

Harry Potter, Fantasia, pure evil

Written by  Grace Brooks
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Harry Potter, Fantasia, pure evil

Okay, how "five minutes ago" is it to have anything to say about the Harry Potter series? But I can't help it. It's only now, when the last movie has come out on DVD and the deafening Hollywood hype has died down that some of the things that were really good and really bad about the Harry Potter stories begin to gel for me.

I'll save my thoughts on what was really bad for another time (or never -- if you don't have anything nice to say, etc. etc.). But having watched "Harry Potter and the Deathly Hallows, part 2" again recently, there's something about how J. K. Rowling handles the characterization of her super-villain, Lord Voldemort, that is very unusual and strikes me as very Orthodox.

Here we have, after all, a type of devil incarnate, what one of my favorite movies "Time Bandits" refers to as Pure Evil. He-who-shall-not-be-named is so corrupt that he split his soul into pieces in an attempt to cheat death (and yet only lasted for seven movies. Let that be a lesson to you, kids). There's nothing new in pop culture about re-enacting the ultimate battle between Good and Evil. And Lord Voldemort certainly fit the familiar stereotype in many ways: His revolting appearance, unrestrained cruelty, frightening abilities to know people and manipulate them -- all of it combined to make him appear a foe that was virtually unstoppable.

VoldemortDunceBut what I noticed in both the book and the movie, and what strikes me as a surprising bit of truth for J. K. Rowling to present, was that there was one other quality that Voldemort's evil brought out in him: Stupidity. I don't mean that in a comical way; it struck me as a profound observation about the real evil that we encounter in ourselves and others. It doesn't hone our intelligence and make us as wickedly sharp-witted as, say, Heath Ledger's psychopathic Joker in "The Dark Knight" or any of the James Bond smart-guy baddies. So often, when those villains are confronted in the ultimate battle, they still manage to appear smart, powerful and really, really cool.

Lord Voldemort, by comparison, didn't have a lot of suave, self-possessed moments in this last movie. He didn't look invulnerable and detached when he was facing down the personification of Good -- he looked increasingly harried, haggard and terrified. He still maintained his cruel designs on other people and always had control over his minions, but in contrast with Harry Potter at the end, he comes off as something weak, not strong. He is stupefied when he is thwarted and speechless when Harry confronts him head on. (As you'd imagine, there's no way to point to online clips, but if you want, consider the look on Voldemort's face at the :59 point in the Deathly Hallows trailer. That's the type of thing I mean.)

I just loved that moment on honesty, especially since I know how much audience tastes tend to run in favor of trite expressions of Evil as something wildly beautiful. But is it ever? In our lives, we've met people who have made a habit out of evil, and we've known times -- God help us -- when we've made the wrong choice knowing that it was the wrong choice. We've lied not because we had to or because we didn't know any better, but because it was a lie and because, just for a moment, we believed in The Lie more than we believed in The Truth. Did it make us feel stronger? The people we've known who are trapped in that life -- has it made them more intelligent, more peaceful, more beautiful, more fun to be around?

Maybe I'm missing something, but in real life, Evil doesn't begin to live up to its on-screen persona. It should look dull, low-functioning, limited, torpid -- the way it feels. Maybe I'm thinking of the Night on Bald Mountain sequence from the original 1940 "Fantasia." There's no reason offered for why a demon that covers the top of a mountain has nothing better to do than play with the undead for a while, but note his reaction (at about the 5:30 mark in the video HERE) when the church bell announces that morning has come. Does he look particularly bright or powerful? C. S. Lewis had a problem with the Bald Mountain segment of the movie in comparison to the "Ave Maria" sequence that followed it. He felt that Disney had made Evil appear all too real and Good appear vapid and pointless. He's right, of course, but I could never forget that awful look on the demon's face when morning came, just as I have a hard time forgetting that dull terror exhibited by the trapped Lord Voldemort. There's a powerful moment of recognition for me: That's what evil feels like.

Read 584 times Last modified on Saturday, 04 February 2012 18:24
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  • orthodox
  • Movie review
  • Harry Potter
  • good and evil
  • deconstruction

Grace Brooks

Grace Brooks is a freelance graphic artist living with her husband Greg in Phoenix, Arizona. She converted into the Orthodox Church in 1986, and the journey has never ended. Decades later, she is still in wonder at the new things to discover in the Ancient Church, and finds much to lend perspective on a tired and muddled world.

Website: this-side-of-glory.com

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4 comments

  • Comment Link Sunday, 12 February 2012 20:39 posted by Claire

    note the personification of evil in Lewis' Perelandria. When not actively busy tempting the woman, he sits and takes small creatures apart with his fingernails.....which finally illustrates to Ramsome how pathetically weak Evil really is.

  • Comment Link Sunday, 05 February 2012 15:44 posted by Grace Brooks

    Keith,
    As a big Disney fan, it hurts me to say it, but you're right. That last segment of the original Fantasia was a big disappointment -- any kid would have to conclude that dark forces were dynamic, exciting and cool and heavenly beings were formless, insipid and boring.

    In that way, Harry Potter might have done the job better. He might have been a lot more everyman than hero, but he still showed courage, loyalty and a kind of purity.

    I love the Chesterton quote. It reminds me of a bit of science that came as a surprise to me. In art classes, I was used to thinking of white as the absence of color. But in the spectrum of light, white is actually the fullness of colors -- what you get if you mix them all. (A computer's way of handling color is similar, which is why if you have 100% Red, Green and Blue, you get white.)

  • Comment Link Keith Andrew Massey Saturday, 04 February 2012 23:51 posted by Keith Andrew Massey

    You are quite right. And, in fact, according to this interpretation, Voldemort is pretty derivative of the Emperor in Star Wars Return of the Jedi. He's hideous, powerful, cocky, and ultimately blindsided and surprised by his defeat.

    Disney's mistake there was not to make Evil appear real. It truly is. And the Church would hold that, on a spiritual
    realm, Bald Mountain isn't pure fantasy.

    But Good should be presented as a still more brilliant force. As Gilbert Chesterton said, "God paints in many colors; but He never paints so gorgeously, I had almost said so gaudily, as when He paints in white."

  • Comment Link Saturday, 04 February 2012 16:06 posted by Donna Farley

    Oh, yes, I am so tired of that 'trite' idea that evil characters are more interesting than good ones! When I think of evil, I think of Lewis's UnMan in Perelandra, pulling the feathers from the birds to make the Lady a cloak and teach her vanity. Evil is petty and small of spirit.

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